Name: Maheta
Arati R.
Class: M.A.
SEM: 2
Roll no: 3
Paper: 8 (The
cultural Studies)
Topic: American
Multiculturalism
Submitted to: Department
of English
(MKBU)
Guided by: Dr.
Dilip Barad
Year: 2014-15
Batch: 2013-15
Words: 1,744
v
What is multiculturalism?
Ø
Multiculturalism relates to
communities containing multiple cultures.
Ø
The term is used in two
broad ways like this
Ø Multiculturalism
is often contrasted with the concepts of ‘’assimilationism’’ and has
been described as a ‘’salad bowl’ or ‘’cultural
mosaic’’ rather than a ‘’melting pot’’
Ø Multiculturalism
centers on the thought in political philosophy about the way to responds to
culture and religious differences.
Ø It
is closely associated with ‘’identity politics’’,
the politics of difference’’
and ‘’the politics of recognition’’ it is
also a matter of economic interest and political power.
Ø Multiculturalism
has mainly been used a term to define disadvantaged group, including, African American,
women, Gay/lesbian and the disabled.
Ø Many
theorists tend to focus their arguments on immigrants who are ethnic and
religious minorities, minority nations and Indigenous peoples.
Ø Many
nations –states in Africa, Asia and the Americas are ‘Multicultural’ in
descriptive sense.
·
Multiculturalism happened in different countries like :United States,
United Kingdom, South Korea,Singapore,Phillippines,Maxico,
Malaysia,Japan,Indonesia,India,Australia,Argentina,Canada.Continental Europe,Bulgaria,Germany,Netherlands.
vAmerican Multiculturalism
Ø In
the United States multiculturalism is not clearly established in policy at the federal
level, but ethnic diversity is common in both rural and urban areas.
Ø Mass
immigration was a feature of the United States economy and society since the 1st
half of 19th century.
Ø The
absorption of the stream of immigrants became in itself a prominent feature of
America’s national myth.
Ø The
idea of ‘Melting Pot ‘is a metaphor that
implied that each individual immigrant and each groups of individual immigrant assimilated
into American society at their own pace which as defined above is not
multiculturalism this is opposed to assimilation and integration.
Ø As
a philosophy multiculturalism began as a part of the ‘Pragmatism movement’
at the end of the 19th century in Europe and United States then as
political and cultural pluralism at the turn of 20th
century.
Ø It
was partly in response to a new wave of European imperialism in Sub-Saharan
Africa and the massive immigration of Southern and Eastern Europeans to United
States and Latin America.
Ø Philosophers,psychologists,historian
and
early sociologist such as Charles
Sanders Peirce, William James, George Santayana, Horace Kallen,John
Dewey,W.E.B. Du Bois and Alain Locke developed concepts of cultural
pluralism which known today as Multiculturalism.
Ø William
James in his book entitled Pluralistic Universe
(1909) refers the idea of a ‘’plural society’’.
Ø Leon
Botstein believes a combination of
traditional and newer perspectives offers the best alternative: student must
read Aeschylus Dante and Shakespeare ‘’because what Shakespeare and Dante and
the so called Great Books are all about is
penetrating through details to what’s really essential about the common
experience of being a member of this Species.’’
Ø But
at the same time that one reads Thucydides or the subject of being a member of
a seafaring, global power, one should also read Bernal Diaz’s account of the conquest
of Mexico.
Ø Every
American should understand Mexico from point of view of the observers of the
conquest and of the history before the conquest…….No American should graduate
from College without a framework of knowledge that includes at least some
construct of Asian History, Of Latin-American History, of American
History
Ø Some images of American
Multiculturalism
v African American Writers
Ø
African American Studies is
widely pursued in American literary criticism, from the recovery of 18th
century.
·
Most prominent
Writers and their Works.
Ø
Phillis Wheatley to the
experimental novels of Toni Morison.
Ø
In Shadow and Act(1964).
Ø
Novelist Ralph Ellison argued
that any ‘’viable theory of Negro American culture obligates us to fashion a
more adequate theory of American Culture as a Whole’’
Ø
This seems to obvious even to
mention today, when American
arts,fashion,music,and so much besides is based upon African American Culture,
from Oprah to Usher.
Ø
But in Ellison’s day the 1950s
such as an argument was considered radical.
Ø
African American writing often
display a folkloric conception of humankind, a double consciousness’ as W.E.B.
Du Bois called it arising from bicultural identity,irony,parody,tragedy and
bitter comedy in negotiating this ambivalence attacks upon presumed white cultural
superiority a naturalistic focus on survival.
Ø
Ellison urged black writers to
trust their own experience and definitions of reality.
Ø
He also upheld folklore as a
source of creativity ‘it was what ‘’black
people had before they knew there was such a thing as art’’
Ø
This elevation of black folk
culture to art is important and it led to
divisions among black artist
Ø
E.g. Zora Neale Hurston’s
reliance upon folklore and dialect annoyed some of her fellow artists of the
Harlem Renaiissance,such as Langston Hughesh,who wished to distance themselves
from such ‘’roots’’ and embrace the new international forms available in
literary modernism.
Ø
Out of such painful cultural
origins evolved African American literature, which may be divided into several
major periods,
Ø
1) Comprising Colonial.
Ø
2) Antebellum.
Ø
3) Reconstruction.
Ø
4)Pre-world war-1
Ø
5) Harlem Renaissance.
Ø
6)Naturalism& Modernism
Ø
7)Contemporary
Ø
Some of the most widely taught
writers of the earlier periods includes Harriet E.Wilson’s Our Nig or Sketches
from the Life of a Free Black, in a two story White House, North(1859) was the
1stnovel published by an African American Linda Brent, author of
Incidents in the Life of A Slave Girl.
Ø
Charles Waddell Chesnutt a turn
towards naturalism but also made use of traditional folk elements his novel of
the Wilmington race riots The Marrow of Tradition.
Ø
The Harlem Renaissance Niggereti
celebrated black culture.
Ø
Spurred by the Depression and the failures of
Jim Crow in the south, naturalist author Richard Wright attacked White American
society at the start of the Civil Rights movement in works such as Native son
and Black Boy.
Ø
The 1960s brought Black Power
and the Black Arts Movement.
Ø
Major figures were Amiri Baraka,
Margaret Abigail Walker, Ernest Gaines, John Edger Wide man and Ishmael Reed in
related arts E.g.music, the big names were Chuck Berry, B.B.King, Aretha
Franklin.
Ø
Toni Morrison’s work the Bluest Eye,
Song of Solomon and Beloved.
v2) Latina/o writers
Ø
Latina/o Hispanic. Mexican American.
Puerto Rican.Nuyorican.Chicano.
Ø
Or maybe Huichol or Maya. Which
names to use?
Ø
The term ‘’Latina/o used to
indicate a broad sense of ethnicity among Spanish-speaking people in the United
States.
Ø
Mexican Americans are the
largest and most influential group of Latina/o ethnicities in the U.S.
Ø
‘’American Literature’’ and ‘’American
studies ‘’are now referred to as Literature of Americas and studies of America.
Ø
Sandra Cisneros and Robert
Rodriguez show Cisreros of San Antonio with her 1st book The House
on Mango Street, was published by a then relatively obscure press in Houston Called
Arte Publico now major publisher of Latina/o book.
Ø
In Borderlands/La Frontera: The
New Mestiza,Gloria Anzalua demonstrate how Latinas live between two
culture,countries,two languagesetc..
Ø
She describes another way in her
poem ‘’To Live in the Borderlands Means You.
Ø
Cod switching is a phenomenon
studied by linguists.
Ø
Juan Flores and George Yudice
write that since the discovery of America transformed the ocean into a frontier
that Europeans might cross to get New World.
Ø
They define America as a ‘’living
Border.
Ø
The Chicano Movement of the
1960s and 1970s meant renewed Mexican American Political awareness
Ø
Rudolfo Anaya’s Bless me Ultima,
perhaps the best known Latina/o novel
Ø
Latina/o fictions are Oscar Zeta
Acosta author of Revolt of the Cockroach People.
Ø
Richard Rodriguez’s memoir
Hunger of Memory is the best example of the Latina/o writer of America.
v 3)American Indian Literatures
Ø
In predominantly oral cultures storytelling
passes on religious beliefs, moral values, political Codes and practical
lessons of everyday life.
Ø
for American Indians stories are
a source of strength in the fact of centuries of silencing by Euro-Americans.
Ø
Again a word on names Native
American seems to be the term proffered by most academics and many tribal
members who find the term Indian a misnomer and stereotype as in ‘’cowboys and Indians’’
or ‘’Indian giver’’ that helped whites wrest the continent away from indigenous
people.
Ø
Yet ‘’American Indian’’ is often
preferred by Indians over ‘’Native American’’ as demonstrated in the names of
such organizations as the American Indian movement(AIM) or the Association for
the Study of American Indian Literatures (ASAIL),AS Alan R.Velie notes.
Ø
Two types of Indian Literatures
have evolved as fields of study.
Ø
The Traditional Indian
Literature is not especially accessible for the average reader, and it is not
easy to translate form Cherokee into English.
Ø
The earliest mainstream Indian
author in the anthologies is Samson Occom, a Mohegan School master who
published as early as 1772.
Ø
Later writers of the 19th
century and early 20th century such as Williams Apess, Yellow Bird (John
Rollin Ridge) Simon Pokagnon, Sara Winnemucca Hopkins, D’Arcy McNickle and
Mourning Dove,delt with native rights the duplicities of U.S.Government and
military leaders, racial ambivalence.
Ø
M.scottMomaday’s House Made of
Dawn.
v 4)Asian American Writers
Ø
Asian American Literature is
written by people of Asian descent in the U.S.,addressing the experience of
living in a society that views them as ‘’Alien’’;
Ø
Asian immigrants were denied
citizenship as late as 1950s.
Ø
Edward Said has written of ‘orientalism’or
the tendency to objectify and eroticize Asians and their work has sought to
respond to such stereotyping.
Ø
Asian American writers include
Chinese, Japanes, Korean, Fillipino, Vietnames, Malaysian, Polynesian and many
other peoples of Asia, the Indian subcontinent and the Pacific.
Ø
Asian American Literature can be
said to have begun around 20th century primarily with
autobiographical ‘’Paper Son’’ stories and ‘’confession’’.
Ø
Asian American autobiography
inherited these descriptive strategies as Maxine Hong Kingston’s The Woman Warrior:
Memoires of Girlhood among Ghosts.
Ø
Jade Snow Wong’s female
Bildungsroman was called Fifth Chinese Daughter.
Ø
The 1st to become known
in the West tended to be daughters of diplomats or scholars or those educated
in Western mission Schools two Eurasians sisters, Edith and Winifred Eaton were
typical.
Ø
They immigrated with their
parents to the U.S.and while Edith published stories of Realistic Chinese
people in Mrs. Spring Fragrances,Winnifred who adopted the Japanese Pen Name ‘’Onoto
Watanna’’was the author of Japanese novel of a highly sentimentalized nature.
Multiculturalism means to mixtures of culture.
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